Freud’s Perverse Polymorph (Bulgarian Child Eating a Rat), 1939
Salvador Dali


Oh Rats

Her future riddled
by a clean white bib
stained before she left the crib.
A long gestation
the artists creation,
unclothed before a cheering crowd.
What a surprise left to a promised prince.
Will he still want her
after she swallows the rat
after the biter taste
saturates her pretty pink tongue,
hairs of rodent
clenched tight her mouth.


She's cute as a kitten
with her first catch,
his limp body
might have made a steady steed,
until he tried to run, so now
dangles from her fresh cut teeth.
One gaze into her loving eyes,
will see a future bow
where once this little thing of curls might curtsy
past the blood that soils her lips,
past the reek, the drip, and
rotted breaths stole by the corps
to leave his one last mark.

Oh Rats baby
what have you done?

Gusano Rojo

Gusano Rojo

It calls again asking for an attorney.
Since when did the wind
need money to blow, or leaves forget to fall.
The wheel spins
instead of earth, and she was only burrowed
to transgress an other's freedom
then tossed in the trunk
beside what's left -
of last night's tequila.

Bits of madness
leak from the book shelf.
The characters escape
on tiny ropes and hooks
planted in a cherry wood desk
once prized and shined with Pledge,
now bows beneath the pressure
of yet - another life story.
The mechanic is over booked;
the wheel of time rusted.

Her's - was only a worm
floating at the bottom
of a bottle of mezcal, an artifact
thrown into the sea
uncovered now and then by currents.
Unable to speak until ingested
and it is them - again
again - again;
the current settles.
She wriggles just below the surface,
a red, gusano rojo
and the mermaids laugh.

The sailors bait their hook
cast into a rojo sun,
and Melville wonders - who?
has set a hook in Moby Dick.
"Gusano Rojo, Gusano Rojo,"
they shout from the deck,
the wind disrupted once more.
They reel fury and fiery breath
in the hot summer sun,
mad with the voice of the worm.
"Gusano Rojo, Guasano Rojo..."
and the current settles.

8/9/2010

Poetry

Poetry

There's she is, it's Gertrude,
standing on the top shelf
of my bookcase.

She claps her hands,
a cut-out card
held up by her elbow
that rests against the word - poems...

and there's Teddy Chaucer
he's there too
balanced between Shakespeare
and Donald Hall.

Gertrude applauds.
The fan blows cool air
across the room,
vibrates the blinds on the opposite wall.

Poetry is not always available
to share its spirit, it wanders off
to visit the neighbor,
to take out the garbage,
follow an old yellow school bus.

Gertrude applauds.
The poetry waits
till I look back, wonders about me too,
and where I might be,
and I am busy, washing dishes,
folding clothes,
I've gone grocery shopping.

We become like the couple
that pass in the hall.
I sit to write
and poetry stepped out,
is visiting with an old friend.

It's climbing a tree.
I paint myself - an illustration and follow.
Where has poetry gone?
It cracks from an egg,
asks its parent for a worm.

I want to be like poetry
inspired by everything it sees,
dipping, bending round corners
watering mountains, flowing with streams,
and dripping from faucets.

I climb the bookshelf,
sit next Gertrude Stein,
so she can rest her elbow on my name.

Gertrude claps her hands.